The exhibition, articulated in 5 subsequent events, according to the different periods, presents Mazzucconi's works on paper, which accompanied the parallel production on canvas, but not that of the early years. There is no substantial difference between the two techniques. The paintings's theme is always love and, above all, its repeated loss, and also the style is quite the s ame, even though the paper allows a greater freedom and immediacy.

The production on canvas of this period is much more dense, especially for the part of the story of S. with its very intense value. It goes from pure eros to a meditation on the soul and its appointment with birth and death, which makes us think of the naked female figure of the Undressing

YEARS 1989/91

The pictures are the last traces of the P. love story, that had animated a considerable pictorial production with large composite pictures (see eg. Il corpo e l'anima), and record the new .e D. experience with his exotic character

The Sphinx
The Great Artist
Masculine and feminine
Catastrophe in my garden
The Rape of Persephone
The end of love
The soul and the woman
Deposition
And life goes
Thinking about the lost woman
The birth of a love
Dissonant love
Nude
Aurora
The odalisque
Eros