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A.4.2 |
The Vittorio Mazzucconi Foundation |
Italiano Bookshop EXHIBIT 1999-2005 The painted again pictures Paintings on paper Computer art Last paintings GENERAL CATALOGUE 1976 - 1977 1978 - 1979 1980 - 1986 1987 - 1989 1989 - 1991 1992 - 1993 1993 - 1996 1996 - 1998 1999 - 2001 2003 - 2005 |
Paintings on paper Works by Vittorio Mazzucconi from the Foundation's collection The exhibition, articulated in 5 subsequent events, according to the different periods, presents Mazzucconi's works on paper, which accompanied the parallel production on canvas, but not that of the early years. There is no substantial difference between the two techniques. The paintings's theme is always love and, above all, its repeated loss, and also the style is quite the s ame, even though the paper allows a greater freedom and immediacy. |
Index of works YEARS 1980/86 The undressing The creation of Adam The production on canvas of this period is much more dense, especially for the part of the story of S. with its very intense value. It goes from pure eros to a meditation on the soul and its appointment with birth and death, which makes us think of the naked female figure of the Undressing |
YEARS 1989/91 The Sphinx |
YEARS 1991-93 Other women, stories, and travel, which accompany the usual meditation of which love is the lifeblood. African Aurora Aurora 2 Without title Awakening African Aurora 1992 The prisoner The mirror The inner harmony The wave Manhood The soul and the Self Figure Alessandra Thinking about the woman Man and woman (detail) Goodbye D. The Demiurge The Rape of Proserpina The Rape of Proserpina (detail) What to do? |
YEARS 1993-98 In comparaison with the number of canvas painting of this period, there are few works on paper. They mark the beginning and the end of the G. love story: the first one when just arriving in the India house where it started, and the last one of the difficult Panarea vacation. Creator Embrace Couple with baby Consolation 2 Giuseppina at Panarea
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YEARS 1999-2000 After the "painted again pictures" these paintings on paper express the same pain for the end of G. love but, unlike the paintings, they do it without anger and violence, with a painstaking reworking in search of a catharsis. Afterwards, new meetings take place. My God! Human condition My love! The angel Human suffering The falling sky and the new dawn The feet in the pit Sphinx The girl and the old man Why do not I listen to you? I wish i could fly Incommunicability Effigy Luvia The foundation The form and the essence Yamile |
YEARS 2004/05 Vedi Painting shooting The Departure |